A description and benefits of 12 angry men by reginald rose

Person that makes the decision over the person that is being judged. The legal profession; lawyer is the person that works with it. The lawyer that defends the accused. The person that saw the actions.

A description and benefits of 12 angry men by reginald rose

Koch Vision, in association with The Archive of American Television, has released Studio One Anthology, a six-disc, play collection representing the "golden age" of live network television anthology drama from one of the most well-regarded examples of that short-lived genre: CBS's Studio One, which ran from to Plays and one opera included in this collection are: The anthology sports a few video extras, including those great, original Westinghouse commercials with Betty Furness, along with a glossy page booklet with detailed cast and crew information, along with background information on the plays.

It's must-viewing for anyone interested in the roots of American network television history. Not unlike what Hollywood did back when sound films were first introduced, when the new medium seemingly demanded actors and playwrights with a theatrical background, so too did early network TV cast about for actors, performers, directors, and writers whose roots in the legitimate theatre as well as the so-called "lower" forms of stage theatrics, such as vaudeville would help bring quality and "class" to the ever-expanding network TV schedules - along, of course, with the sporting events, westerns, and sitcoms that dominated the first few years of network programming.

As the networks greatly increased the time they were broadcasting in the late s and early s, and as they encountered more and more criticism from journalists almost all of them New York City-based about the "intellectual wasteland" of television, the networks were able to kill two birds with one stone: It didn't hurt that network TV production in those early days was centered almost exclusively in New York City, where the networks could tap a myriad number of performers and writers, many of them young and hungry for their first big break in show business.

If established Broadway and Hollywood actors, directors, and writers spurned the new bastard medium television as a faddish, freakish novelty, all the better; the new talent was much cheaper, much more easily controlled, and the initially small audiences many of them upper-middle class urban viewers who could actually afford the first expensive TV sets didn't seem to care what was coming over these miraculous small little boxes of ghostly black and white shadows.

Studio One, a weekly dramatic anthology created by Fletcher Markle for CBS Radio inwasn't a runaway success it lasted only one yearbut once CBS committed to expanding their nascent television broadcasting, Studio One's format of a weekly adaptation of either an established classic or newly created play, was considered a natural for the new medium.

Anyone studying film and television history will come across a lot of books that describe this specific time period - the late s to the mid-to-late s - and this particular genre, the live dramatic anthology series, as the "flowering" of television's "golden age.

Of course, prior to the invention and subsequent widespread use of video tape, kinescopes were utilized by the networks 16mm films of the live performances, taken off a studio monitormostly for the intended purpose of broadcasting a particular show later to the West Coast.

A description and benefits of 12 angry men by reginald rose

But most live programming from this time period existed within its broadcast time frame, and disappeared into the ether, forever. What shows that managed to survive the ravages and vagaries of time represent only a small fraction of what network and eventually local stations broadcasted, so judging this time period as television's "golden age" may be nostalgic, wishful thinking on the part of those whose aesthetic outlook depends on this theory being true.

A description and benefits of 12 angry men by reginald rose

Aiding this widespread "golden age" theory is the fact that much of what was written about television at that time, by then-contemporary critics based in New York City, was oriented towards seeing live broadcast drama as the only "true" art that graced early network schedules, as opposed to the looked-down-upon "mass entertainment" fare such as sporting events, variety shows, and later, sitcoms.

Those elitist critics, dismayed from the start by the commercial aspects of television how dare they interrupt a program to sell soap? These urban critics, who valued attempts at staging classical dramas and exciting, new, modernist plays over the easy laughs and thrills of vaudeville-inspired variety shows and westerns, provided the historical basis for many historians to come who brought along the same aesthetic preferences as their sources.

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While many viewers and a few critics rightly considered the genuine geniuses such as Sid Caesar, Jackie Gleason, Red Skelton, Ernie Kovacs, and of course Lucille Ball the equals if not superiors to anything seen on Studio One, the hierarchal divides between "high and low-brow" art were still quite prevalent among print critics at this time.

Acknowledging this bias in both the original journalists of the day and in many of today's historians, in no way diminishes the impact and genuine artistry of live dramatic anthologies of this time period, though.

Quite the contrary, when watching some of the examples gathered here on the Studio One anthology, it's easy to see that what was offered on a weekly basis over the broad network programming schedule, was quite extraordinary for its daring in blatantly trying to bring intellectual and cultural programming to the "average" viewer.

Quite simply, almost none of the programs featured on this anthology would ever see the light of day on any of today's network schedules, and that's a shame. Regardless of the level of success these adaptations achieved is somewhat beside the point. Any artistic endeavor should be judged, ultimately, on its own inherent merits; just because a piece of work has "good intentions" doesn't therefore automatically make the piece a success a point seemingly lost on a good number of contemporary critics today when judging socially conscious - but badly executed - films.

But the sheer number of live dramatic anthologies that once proliferated on "The Big Three" during this time one source on one of the extras provided on this set claims a high of fourteen hours of such programming during one particular season indicates that something outside the norm was operating during this flowering of network TV, an occurrence that doesn't seem likely to ever repeat itself on today's locked-down-tight TV schedules.

There's an undeniable level of excitement that permeates these kinescopes of the live performances that went out week after week from New York City, an excitement that will be familiar to those viewers who regularly attend staged plays and musical performances, but one that may seem, due to the crudity of the kinescope recordings, stiff and unyielding to viewers more comfortable with today's television programming.Twelve Angry Men by REGINALD ROSE The following play was written for television.

It begins with a list of characters, but on television you would not have the Twelve men are seated in it, listening intently to the voice of the judge as he charges them. We do not see the judge.

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He speaks in slow, measured tones, and his voice is grave. Description - Twelve Angry Men by Reginald Rose. The title of this book is Twelve Angry Men and is written by author Reginald metin2sell.com book Twelve Angry Men is published by Bloomsbury Publishing PLC.

The ISBN of this book is and the format is Paperback / softback. The publisher has not provided a book description for Twelve Angry Men by Reginald Rose. Twelve Angry Men, by Reginald Rose () Intergroup conflict is a pervasive and ubiquitous phenomenon.

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Undelivered Mail by Reginald Rose starting at $ Undelivered Mail has 2 available editions to buy at Alibris. twelve angry men It may be that the constant repeats of Sidney Lumet's theatrical version of 12 Angry Men, starring Henry Fonda, have ingrained the film so thoroughly in most viewers' minds as the definite version of the play, that anyone watching this first incarnation of Reginald Rose's play, written specifically for Studio One, will inevitably be disappointed.

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