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The reader is allowed to suspend disbelief partly through the framing of the tale, which is recounted by the fictional narrator Geoffrey Crayon, who has heard it from an old Cape Cod whaler, who claims to have memorized it from a manuscript written by a neighbor.
Thus, the tale is several times removed from its source, with no one to vouch for its authenticity. The serious and the comic are juxtaposed.
The characters are one-dimensional, stereotypical figures. Tom himself is not described in detail and is given such stock traits as greed and hypocrisy. The reader need not be concerned for the fate of either character. Irving has a keen eye for the ironies and contradictions of human behavior.
When Tom becomes wealthy, he ostentatiously equips a grand carriage but has it pulled by starving horses. He builds a large house but leaves it unfurnished out of miserliness. He exacts the harshest business terms on those least able to pay.
Throughout the tale, this irony exposes the vanity and meanness of those for whom material possessions become paramount.+ free ebooks online.
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, after the withdrawal of the Romans, and "ending soon after the Norman Conquest" in These works include genres such as epic poetry.
THE SPIKE. It was late-afternoon. Forty-nine of us, forty-eight men and one woman, lay on the green waiting for the spike to open. We were too tired to talk much. The Purdue University Online Writing Lab serves writers from around the world and the Purdue University Writing Lab helps writers on Purdue's campus.